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"Twilight Quilt"  © Caroline Jasper, 24" x 36", oil on canvas

March, 1999       Page 7

COVER CONTEST WINNERS

A warm round of applause to everyone who stood up to the challenge of North Light's Sixth Annual Cover Contest. We had over 900 entries, each with a statement, subject, and style all its own, which made the judging none too easy on us. When the dust had settled, though, one thing was clear. Our North Light members are some of the most talented and passionate the art community is privileged to have. Thanks to everyone who participated in the contest, we loved seeing your work. The very best to all of you as you continue to pursue your artistic dreams.

Cover Competition Prizes

First Place: $1,200 in art supplies from Holbein and a $200 cash award

Second Place: Santa Fe II Easel (retail value $1,059) from Jack Richeson & Co. and a $100 cash award

Third Place: Robert Warren Easel (retail value $699) from Martin Universal Design and a $50 cash award

Fourth Place: Super Prism Projector (retail value $340) from Artograph, Inc.

Fifth Place: Novel Carre Pastel 150-piece set (retail value $300) from Sakura of America

All honorable mentions received gift certificates for $50 in books from North Light Book Club

First Place: Cover
Caroline Jasper
of Bel Air, MD

    It was the mood of "Twilight Quilt", the warm, shimmering sunset that won first prize for Caroline Jasper. Caroline knows "there's a lack of stillness even in still water," and she captured that easy rippling precisely. But before this contest, few people has even seen Caroline's completed painting. It was begun at an outdoor show, completed two months later, and then sold at another outdoor show within a few hours. "It's been hanging in my friend's living room ever since, so very few people have even seen it." Until now.
    Caroline's always lived around the water and, as a painter, is drawn to its reflective surface. She paints from her own photographs - "they're personal, they're my images" - and combines them to create her own compositions. Years ago, when Caroline received her Bachelor's and Master's degrees in Fine Arts, she decided she didn't like painting. The practice of using gray backgrounds and of adding black to make colors darker turned her away. But as she began to study more and more art history, masters like Vermeer, Sargent, Thiebaud, Parish, and Chuck Close, she found new color theories, which restored her faith.
    Today, Caroline starts with a red ground, doesn't use any black at all, and paints her highlights first. Color theory is one of her main interests, so she experiments with complementary colors and the interplay of warms and cools.

"Red is a dark, warm color that's good for playing other colors off of it. Greenish blues vibrate off of red, so that visual vibrating effect mimics the water's movements"
   Because Caroline grew up around the water, she now has to consciously paint what she sees instead of what she knows. "Because we have a dual eye view, we don't always see clear edges." So she's careful not to get bogged down in the riggings of the boat and the equipment she knows are there. And to accentuate the values in her photographs, she takes pictures either early in the day or late in the evening. The angle of the sun at those times makes longer shadows. Caroline also takes very dark and very light versions of the same scene, so she can combine values that will make an interesting painting.
    Caroline has taught art for 29 years. She's found that it's helped her as an artist because teaching forces her to be more constructive in her critiques, and to honestly evaluate her own work. She's also thankful for all the fresh perspectives with which students surround her. Caroline paints at a number of outdoor shows annually, and her paintings are represented by the Georgetown Art Guild, Washington, DC, Obelyn Galleries of Annapolis, MD, The Picture Show Art Gallery, Havre de Grace, MD and The Picture Show Art Gallery, Bel Air, MD.
 

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  copyright, Caroline Jasper

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