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Collections Galleries - Paintings now in private, corporate, public holdings |
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THE FREDERICK NEWS-POST |
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Fine art, Historic inn features
paintings By Dickson Mercer. Photography by Doug Koontz
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While her work has a strong agricultural presence, Ms. Jasper is frequently commissioned to paint houses. Rather than paint a house in it's entirety, she typically hones in on a feature, like a door, window or stairway. "I like to have trees involved, particularly the shadows." • Whether she's painting the wrought iron gates outside a Delaware cottage, seen in "Castings," or Swan Creek in Harford County, "it's always about the light." |
| Chris Goodwin and his friends had discussed "opening a good place to eat" for 15 years, when in September 2002, they decided to invest in The Comus Inn at Sugarloaf Mountain. "I watched it go downhill," said Dr. Goodwin, who lives nearby. "I thought we could do something special with it." After undergoing two years of rehabilitation, supervised by the Secretary of the Interior to maintain the site's 19th-century roots - The Comus Inn reopened Dec. 17, 2004, with a first-class menu that offers three-, four-, and five-course meals. It's listed on the National Register of Historic Places. But the makeover remained incomplete. The next step involved the walls - more specifically, adorning them with art. "Fine foods, fine arts." Dr. Goodwin explains. On March 24, guests welcomed 28 oil paintings by Bel Air artist Caroline Jasper. Inspired by Impressionism, Ms. Jasper's work seeks to "capture the immediacy of change." Whether she's painting the wrought iron gates outside a Delaware cottage, seen in "Castings" or Swan Creek in Harford County, "it's always about the light." "There's nothing special about it," Ms. jasper said, referring to Swan Creek. "But I go back to it. I like to watch the morning light coming at me from a distance, a tree covering the sun's glare... the glow around it. "The water appeals to me also. I'm always interested in water." While Impressionists typically painted quickly, using unmixed primary colors and small strokes to simulate actual reflected light, Ms. Jasper prefers to base her paintings on photography. "The light changes too quickly," she said. The end result, as one viewer noted, has a "sharpness" but remains "oddly surrealistic." Ms. Jasper's paintings start with a cadmium red canvas. In the end, the underlying red, still visible in bits, permeates the subject. "I avoided red at first, thinking it would be too strong," she said. "But it sets up a visual vibe. It's more like the experience of actually seeing it." |
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copyright, Caroline Jasper |
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