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OFF THE CANVAS
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| Caroline Jasper's Newsletter Volume VI September 2007 |
"Welcome to the first web-posted edition of my newletter. I should have done this sooner. Online is better... space for more stuff and it's in color." -Caroline |

Photo Credit: Lynn Powers |
NEW GALLERY AFFILIATION
The Gallery at Round Top
and Comforts
Located between Austin and Houston |
203 East Austin, Round Top, TX 78954 |
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979-249-4119 |
art@thegalleryatroundtop.com |
"Two of the partners at this first class gallery include my friends and fellow artists Karen Vernon and Ken Muenzenmayer. I am honored to be represented there." -Caroline |
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Little Moments of Light Series
"I recommend preliminary studies for all who paint. It's no-fault trial and error. How freeing! Because it doesn't "count", work progresses more spontaneously. Results are always rewarding. You learn what's important and by default what's not important, what to do and what not to do. Work on the final canvas then begins with greater confidence in a determined approach." -Caroline |
"Red Contrast"
5x7 oil |
"First Chance"
5x7 oil |
"Glazette"
5x7 oil |
Signed original oil paintings on gesso-treated heavy weight watercolor paper. Each of the little paintings began as a study for a bigger canvas. The artist's favorites were completed with finishing touches. Matted to 11x14 in clear sleeve packaging. |
See currently available
"Little Moments" paintings. |
QUOTE FAVORITE
"When a critic suggests that something is not worth doing because it has been done before, he is in effect urging an artist toward one of the more exciting aspects of art, the attempt to achieve the impossible." |
-Fairfield Porter
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SEE JASPER PAINTINGS IN PERSON
Art Access Gallery.................... Bexely, OH
Fine Art • Corporate & Residential |
Art Source ............................. Raleigh, NC
Fine Art Consultants & Gallery |
Gallery 1683 ...................... Annapolis, MD
Where Art & The Chesapeake Meet |
Gallery Wright ................ Wilmington, VT
Fine Art and Craft |
The Comus Inn .................. Dickerson, MD
at Sugarloaf Mountain |
The Gallery at Round Top, Round Top, TX
Fine Art Consultants & Gallery |
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RECOMMENDED READING
Interaction of Color
Unabridged text and selected plates
by Josef Albers
Yale University Press
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NOTE: Learning & Product Expo: Art posted October 2008 workshop event dates and location reflect a change from those originally published. |
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Watch for the next Caroline Jasper DVD
COLOR MOVES
Painting Landscape on Red Ground
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WORKSHOPS
Hands-on for all levels. One-on-one instruction emphasized. Come and join the fun.
Oct 11-14, 2007
Pasadena, CA
Learning & Product
Expo: Art
www.learningproductexpo.com |
Nov 8-11, 2007
Raleigh, NC
Art of the Carolinas (workshops + expo)
www.jerrysartevents.com |
Jan 26, 2008
Bradenton, FL
Powercolor
Theory & Practice
www.keetonsonline.com |
Feb 8-9, 2008
Palm Desert, CA
Powercolor Painting Workshop Series
www.theblueprinter/
artcolony.com |
Feb 22-23, 2008
New Smyrna Beach, FL
Powercolor
Theory & Practice
www.artistsworkshopinc.com |
Mar 3-5, 2008
Englewood, FL
Powercolor Painting
www.englewoodart.org |
Apr 26, 2008
Bradenton, FL
Landscape Painting on
Red Ground
www.keetonsonline.com |
Jul 29-Aug 2, 2008
Burlington, VT
Vermont
Art Event
(workshops + expo)
Register: 1-888-HOLBEIN |
Workshop Details:
CALENDAR
top
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CAROLINE JASPER
e-Instruction
Extend your workshop, DVD or book involvement with the artist through one-on-one email instruction. Critiques, methods, color strategies, answers, encouragement, and more. Go at your own pace according to your personal artistic needs and interests. To get started, all you need is computer access and the ability to send an image via email.
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PUBLISHED WORKS
AVAILABLE NOW
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CAROLINE'S COLOR MIXING TIP: "Avoid Mixing!"
"I am not implying that I never mix colors or suggesting that you buy every color available to side step the need for mixing. Remember that color is most brilliant straight from the tube. Any two colors mixed produce a color less vibrant than either original unmixed color. Adding more color(s) further reduces vibrancy. Mixtures become muddied quickly when too many colors participate, especially if combining unlike hues (not close to each other on the color wheel). I prefer my colors mingled, not mixed. Brush marks of diverse color may be integrated without actually mixing them. At a short distance from the canvas, eyes deliver separated colors to the brain where they "seem" to mix ala-Seurat. Taking advantage of each color's inherent chromatic potency, the visual effect is much richer than looking at literally mixed, potentially muddy, versions. Note: This approach, while applicable to all color media, is particularly advantageous to oil painters. Avoiding unwanted wet into wet mixing keeps mud out of the picture."
- Caroline
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Learning & Product Expo: Art
Chicago July, 2007 |
Caroline Jasper (left) with student Donna Vacca
"Caroline, I really enjoyed your workshops at the Chicago Learning & Product Expo in July 2007. I felt an instant kinship with you upon hearing your feelings about color! You inspired me to look at things a little differently. Thank you for sharing your knowledge with me. I have already used your advice on other paintings.
Every day, in my office, I enjoy looking at your exploration painting "Lake Orange" that I purchased at your workshop. Your DVD is also very good... your talent and charisma shine through. I hope to connect with you in the future at other workshops." - Donna Vacca 9/10/07 |
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ORANGE is on fire... untamed, exciting, explosive and upbeat. Centered on the color wheel's hot side between parents red and yellow, orange is an attention getter. Scarlet versions imply sexiness; yellowish versions radiate sunshine. Bold, sweet citrus flavor associations add to its positive connotations. |
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